Photography of "The Black Cannon Incident," the use of cufflinks color control

Photography of "The Black Cannon Incident," the use of cufflinks color control, interested in Zhao Shuxin occasions more than red, the real machine, the walls painted red, choose red tablecloths, red chairs, red car, red blankets this removed in the shape of the form caused by an eye-catching, concise and contemporary, and, more importantly, the inner conflicts of the hero Zhao Shuxin, anger Hui, the spirit of oppression, depression, shown in red, Livestock irritability, anxiety, sense of crisis, emotional integration and expression of a weird and true story of cadre policy in the ultra-leftist line. The cufflinks of loose style and bright colors put more emphasis on a relaxed and happy mood.
Section III score photographic tone cufflinks color photographic tone photographic tone black and white photography tone and the tone of color photography. Black and white photography tone is the total tendency to talk about light and dark relationships, in order to adjust the configuration of the next Shadow, emotions; color photography tone to reflect the light and dark relationship also reflects cufflinks color relations. At this time, you can put on cufflinks in lively form, simple shapes and bright-color.  Dominant in the color film today, stressing the photographic tone, is bound to these two aspects related to the shadow harmonic tones. The color film photography keynote integration reflected by the impact of harmonic tones of the movie.
With black and white, "serfs" tone is deep, thick, "Little Soldier" is more crisp; with color film, the overall tone of the "Xu Mao and his daughters," dim gray "Midnight" is partial to brown yellow, which is the photographic tone. Photographic tone photographers use light shade configuration, the contrast between the size, tone warm and cold contrast, cufflinks color contrast between the strength of tendency, and the general tendency to express the emotions of the dramatis personae and the author, it is the photographer on the film Basic shadow to reconcile the artistic treatment of the tone done. You will appear the cufflinksmore lively and natural. The determination of the photographic tone depends on the film's theme, theme, style, style, and photographer it to understand and grasp.
Such as the "storm" to describe the railway staff epic "27" strike wave of heavy, rough tone, "Ashima" while elegant soft tone described in the mythical story in the minority, "from the slave to the general film to color film elements consistent with the characteristics of the war movie, "she and for them to" deal with this light comedy is bright crisp tone, "Zhou Enlai" a solemn, deep tone to reflect the tragedy of that history, and broadmindedness of the Prime Minister, more than a dream season "Zeyi lively, brisk, clear and a little hazy hue performance of children in the eyes of the world. Photographic tone is an important part of the photographer on the film shape of the overall design. The effect to observe the cufflinks is very good.
It is composed of a variety of conditions rely on background, clothing, props, light, smoke, and printing photos. Tone being produced in a combination of tones and tone of each scene, only to organize the tone and tone of each scene, the proportion of the overall tone of each scene and tone structure in order to accurately reflect the tone of the film. While playing the game, a pair of funny relaxed and happy cufflinks will make you forget all the labor and tiredness. The cinematography is a re-creation of art work, he must be carried out on the basis of the plays and directing the concept of creation, the scene of the artist, clothing, props, the first of the performers and other creative and demonstrate his point of view tendencies and style. Therefore, photographers since reading Film Literature Script will set out to find the photographic tone of the film, the idea of it cuff links color score, and obtain a common understanding and collaboration of the director, art and other departments.